This round: quieter reading, book-style chapters, and one HH throughout.
THE MODERN POET
The River of Leith
By William Topaz McGonagall
As I stood upon the Dean Bridge and viewed the beautiful scenery,
I felt fascinated and my heart was full of glee,
And I exclaimed in an ecstasy of delight,
In all my travels I never saw such a sight.
The scenery is so enchanting to look upon
That all tourists will say, "Dull care, be gone."
'Tis certainly a most lovely spot,
And once seen it can never be forgot.
Then away! away! to the River of Leith,
That springs from the land of heather and heath,
And view the gorgeous scenery on a fine summer day.
I'm sure it will drive dull care away.
The water-fall near the Bridge is most beautiful to be seen,
As it falls and shines like crystal in the sunsheen;
And the sound can be heard all day long,
While the innocent trouts sing an aquatic song.
The glen is a cool spot in the summer time.
There the people can be shaded from the sunshine
Under the spreading branches of the big trees,
And there's seats there to rest on if they please.
Then near St. Bernard's Well there's a shady bower,
Where the lovers, if they like, can spend an hour;
And while they rest there at their ease
They can make love to each other if they please.
The water of St. Bernard's Well is very nice,
But to get a drink of it one penny is the price.
I think in justice the price is rather high,
To give a penny for a drink when one feels dry.
The braes of the River Leith is most charming to be seen,
With its beautiful trees and shrubberies green,
And as the tourist gazes on the river in the valley below,
His heart with joy feels all aglow.
There the little trouts do sport and play
During the live-long summer day,
While the bee and butterfly is on the wing,
And with the singing of birds the glen doth ring.
The walk underneath the Dean Bridge is lovely to see.
And as ye view the scenery it will fill your heart with glee.
It is good for the people's health to be walking there
As they gaze on the beauties of Nature and inhale pure air.
The Dean Bridge is a very magnificent sight,
Because from the basement it is a great height.
And it seems most attractive to the eye,
And arrests the attention of strangers as they pass by.
The braes of Belgrave Crescent is lovely to see,
With its beautiful walks and green shrubbery.
'Tis health for the people that lives near by there
To walk along the bonny walks and breathe the sweet air.
Therefore all lovers of the picturesque, bo advised by me
And the beautiful scenery of the River Leith go and see,
And I am sure you will get a very great treat,
Because the River of Leith scenery cannot be beat.
A little rhyme. Something to turn over. Tomorrow, a possible answer.
A moment with the words.
WORDS / EVERY HOUR
WORDS / EVERY HOUR
A note on the rotation
Box one belongs to works shared here—pictures, poems, or both—with a new selection each hour. The other three change one at a time every fifteen minutes. One is a Halloween poem through October. Skip any card, or pause while you read.
THE COLLECTION
Stay for a little while.
Browse by category or shuffle
Search words and related subjects, or use a name. You can combine both. Results change as you type.
Nothing here yet. Try another search, or leave a poem of your own.
BEHIND THE WORDS
Find a poet.
Different places. Different lives. A shared human experience.
Search the collection and live public records. Results link back to their sources.
No matching poets in this draft yet.
FOLLOW YOUR CURIOSITY
Someone you might not know.
Two voices from the collection. New suggestions every 30 seconds, or whenever you feel like it.
THE PLACES BEHIND THE WORDS
Closer than you think.
Find poets and deceased philosophers with documented public city connections near you. Start within 250 miles, or expand to 500.
Try a city:
Choose a city or use your location to find poets within 250 miles. No place is assumed for you.
A note on location and privacy
These are approximate city locations—not private addresses or exact writing spots.
City searches go to Open-Meteo. Your device location is used only in this page to calculate distance. Nothing is saved. Distances are straight-line estimates to public places, not private homes or a complete list of local poets.
One artwork for the day. A growing collection to explore. Open a name or portrait for the person behind it. Interpretations are optional.
Look beyond this collection
Search The Met’s public collection by artist, work, place, or subject. Living artists are welcome here, too. Museum results link to the original; protected or unreviewed images stay at the museum.
A husband. A father of two. An aviator on a hobby farm. Just a normal dude who likes poetry—and occasionally writes some.
I built this because reading about a poet, finding their work, then following an interesting thought meant bouncing between a bunch of searches. I wanted the things I like in one place. So I made it. Figured I might as well share.
I spend a lot of evenings here reading, following ideas and leaving little notes. This place keeps growing because I actually use it. If I can make it easier for me, hopefully it’s easier for somebody else, too.
It’s also somewhere to leave my own work so people who know me can read it. If other people find something here, great. If it’s mostly me for a while, well, I was going to be reading anyway.
A little room outside your own head.
Poetry, art, philosophy and the occasional question that follows you home. Read something. Follow the person behind it. See where you end up.
I haven’t submitted any of my work for publication. Asking someone else to accept my art has never been my thing. Nothing against anyone who takes that route; I just wanted somewhere to put mine.
You’re welcome to leave something, too. Use your name, a call sign, or stay anonymous. No profiles, likes or follower counts. Your work stays yours.
Pandora’s box.
I was an infantry Marine, stuck in a cause I didn’t believe in. Thinking through the variables helped keep me alive. Building a place for internet submissions apparently calls for that habit, too: I’m hoping for Shakespeare. I’m prepared for buttholes.
I use AI to screen submissions and help explain sourced thoughts. Passing work goes public; flagged work waits privately for me to review. The little explanations are a way into an idea, not the last word.
THERE’S ROOM FOR YOUR VOICE.
Got something to say? Leave it here.
A poem. A picture. Both. Sign your name, use a pen name, or stay anonymous. You don’t owe anyone an explanation.
Why so much HH? And how does this work?
Right now, I’m most of the crowd. I make a lot, and I built somewhere to put it. I’d like this place to grow beyond the inside of my own head.
Works From Here gives one submitted work the board for an hour. Skip it, search for something, or leave it alone. Nobody’s taking attendance. HH gets no special slot.
There are other voices in the Library and on Home. If you’re reading this in ten years and it’s still mostly my work here, apparently I kept busy. No hidden message. I just needed somewhere to put the poems.
— HH · October 24, 2026
ONLY IN THIS BROWSER
Private image drafts.
Pending review. These images are kept out of the collection. There is no automated screening or public upload service connected yet.
A LITTLE ROOM TO THINK
A thought for the day.
Different places. Different ways of seeing. Deceased thinkers with work that remains in circulation.
For this section, only dead philosophers. The rest of us are still working on our theories.
Find a philosopher or an idea.
Use either field, or combine them. Searches match words and related subjects in this collection.
A note on countries and sources
Country connections use present-day geography; they are not claims about ancient nationality. This is a small starting collection, not a complete world directory. Classical works may have been compiled by followers or published after the author’s death.
Deceased thinkers with a documented work in Wikidata. Search above by name or present-day birthplace country. Subject searches check descriptions and work titles, not full books. Coverage and historical geography are incomplete.
A thought doesn’t have to end with an answer. Leave a question. Leave room.
How the rotation works
894 sourced thoughts and prompts, and growing. Original thoughts posted here join the same rotation.
One thought for the hour. Skip whenever you like. Your own thoughts belong here too—no profile, likes, or comments. Category: Other, unless you choose one.
Original thoughts share the pool with 894 sourced thoughts and prompts. While there are fewer than 20 posted thoughts, one in ten selections comes from here; at 20 it’s one in five, at 50 one in three, and at 100 one in two. Each pool shuffles without early repeats. Skips count as selections. A search can narrow the pool, so the mix then depends on what matches. Leave room for your own reading.
TWO VOICES. ROOM FOR BOTH.
See it another way.
Choose a poet and a poem. Find a similar feeling, or try an emotional contrast. These are suggested readings, not fixed meanings.
YOUR SAVED POEMS
Words you kept.
Saved on this browser. No account, public count, or notification to the poet.
A LITTLE RHYME. A LITTLE ROOM TO THINK.
Riddle of the day.
Some have answers. Some open another door. Give it a day.
Seven days to catch up. A fresh riddle each day, with no reruns.
My name is Franklin. Hamilton’s around here somewhere.