This round: quieter reading, book-style chapters, and one HH throughout.
THE MODERN POET
A Ballad of Death
By Algernon Charles Swinburne
Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Three lovers, each one evil spoken of;
O smitten lips wherethrough this voice of mine
Came softer with her praise;
Abide a little for our lady's love.
The kisses of her mouth were more than wine,
And more than peace the passage of her days.
O Love, thou knowest if she were good to see.
O Time, thou shalt not find in any land
Till, cast out of thine hand,
The sunlight and the moonlight fail from thee,
Another woman fashioned like as this.
O Sin, thou knowest that all thy shame in her
Was made a goodly thing;
Yea, she caught Shame and shamed him with her kiss,
With her fair kiss, and lips much lovelier
Than lips of amorous roses in late spring.
By night there stood over against my bed
Queen Venus with a hood striped gold and black,
Both sides drawn fully back
From brows wherein the sad blood failed of red,
And temples drained of purple and full of death.
Her curled hair had the wave of sea-water
And the sea's gold in it.
Her eyes were as a dove's that sickeneth.
Strewn dust of gold she had shed over her,
And pearl and purple and amber on her feet.
Upon her raiment of dyed sendaline
Were painted all the secret ways of love
And covered things thereof,
That hold delight as grape-flowers hold their wine;
Red mouths of maidens and red feet of doves,
And brides that kept within the bride-chamber
Their garment of soft shame,
And weeping faces of the wearied loves
That swoon in sleep and awake wearier,
With heat of lips and hair shed out like flame.
The tears that through her eyelids fell on me
Made mine own bitter where they ran between
As blood had fallen therein,
She saying; Arise, lift up thine eyes and see
If any glad thing be or any good
Now the best thing is taken forth of us;
Even she to whom all praise
Was as one flower in a great multitude,
One glorious flower of many and glorious,
One day found gracious among many days:
Even she whose handmaiden was Love--to whom
At kissing times across her stateliest bed
Kings bowed themselves and shed
Pale wine, and honey with the honeycomb,
And spikenard bruised for a burnt-offering;
Even she between whose lips the kiss became
As fire and frankincense;
Whose hair was as gold raiment on a king,
Whose eyes were as the morning purged with flame,
Whose eyelids as sweet savour issuing thence.
Then I beheld, and lo on the other side
My lady's likeness crowned and robed and dead.
Sweet still, but now not red,
Was the shut mouth whereby men lived and died.
And sweet, but emptied of the blood's blue shade,
The great curled eyelids that withheld her eyes.
And sweet, but like spoilt gold,
The weight of colour in her tresses weighed.
And sweet, but as a vesture with new dyes,
The body that was clothed with love of old.
Ah! that my tears filled all her woven hair
And all the hollow bosom of her gown--
Ah! that my tears ran down
Even to the place where many kisses were,
Even where her parted breast-flowers have place,
Even where they are cloven apart--who knows not this?
Ah! the flowers cleave apart
And their sweet fills the tender interspace;
Ah! the leaves grown thereof were things to kiss
Ere their fine gold was tarnished at the heart.
Ah! in the days when God did good to me,
Each part about her was a righteous thing;
Her mouth an almsgiving,
The glory of her garments charity,
The beauty of her bosom a good deed,
In the good days when God kept sight of us;
Love lay upon her eyes,
And on that hair whereof the world takes heed;
And all her body was more virtuous
Than souls of women fashioned otherwise.
Now, ballad, gather poppies in thine hands
And sheaves of brier and many rusted sheaves
Rain-rotten in rank lands,
Waste marigold and late unhappy leaves
And grass that fades ere any of it be mown;
And when thy bosom is filled full thereof
Seek out Death's face ere the light altereth,
And say "My master that was thrall to Love
Is become thrall to Death."
Bow down before him, ballad, sigh and groan.
But make no sojourn in thy outgoing;
For haply it may be
That when thy feet return at evening
Death shall come in with thee.
A little rhyme. Something to turn over. Tomorrow, a possible answer.
A moment with the words.
WORDS / EVERY HOUR
WORDS / EVERY HOUR
A note on the rotation
Box one belongs to works shared here—pictures, poems, or both—with a new selection each hour. The other three change one at a time every fifteen minutes. One is a Halloween poem through October. Skip any card, or pause while you read.
THE COLLECTION
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BEHIND THE WORDS
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FOLLOW YOUR CURIOSITY
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THE PLACES BEHIND THE WORDS
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A husband. A father of two. An aviator on a hobby farm. Just a normal dude who likes poetry—and occasionally writes some.
I built this because reading about a poet, finding their work, then following an interesting thought meant bouncing between a bunch of searches. I wanted the things I like in one place. So I made it. Figured I might as well share.
I spend a lot of evenings here reading, following ideas and leaving little notes. This place keeps growing because I actually use it. If I can make it easier for me, hopefully it’s easier for somebody else, too.
It’s also somewhere to leave my own work so people who know me can read it. If other people find something here, great. If it’s mostly me for a while, well, I was going to be reading anyway.
A little room outside your own head.
Poetry, art, philosophy and the occasional question that follows you home. Read something. Follow the person behind it. See where you end up.
I haven’t submitted any of my work for publication. Asking someone else to accept my art has never been my thing. Nothing against anyone who takes that route; I just wanted somewhere to put mine.
You’re welcome to leave something, too. Use your name, a call sign, or stay anonymous. No profiles, likes or follower counts. Your work stays yours.
Pandora’s box.
I was an infantry Marine, stuck in a cause I didn’t believe in. Thinking through the variables helped keep me alive. Building a place for internet submissions apparently calls for that habit, too: I’m hoping for Shakespeare. I’m prepared for buttholes.
I use AI to screen submissions and help explain sourced thoughts. Passing work goes public; flagged work waits privately for me to review. The little explanations are a way into an idea, not the last word.
THERE’S ROOM FOR YOUR VOICE.
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Why so much HH? And how does this work?
Right now, I’m most of the crowd. I make a lot, and I built somewhere to put it. I’d like this place to grow beyond the inside of my own head.
Works From Here gives one submitted work the board for an hour. Skip it, search for something, or leave it alone. Nobody’s taking attendance. HH gets no special slot.
There are other voices in the Library and on Home. If you’re reading this in ten years and it’s still mostly my work here, apparently I kept busy. No hidden message. I just needed somewhere to put the poems.
— HH · October 24, 2026
ONLY IN THIS BROWSER
Private image drafts.
Pending review. These images are kept out of the collection. There is no automated screening or public upload service connected yet.
A LITTLE ROOM TO THINK
A thought for the day.
Different places. Different ways of seeing. Deceased thinkers with work that remains in circulation.
For this section, only dead philosophers. The rest of us are still working on our theories.
Find a philosopher or an idea.
Use either field, or combine them. Searches match words and related subjects in this collection.
A note on countries and sources
Country connections use present-day geography; they are not claims about ancient nationality. This is a small starting collection, not a complete world directory. Classical works may have been compiled by followers or published after the author’s death.
Deceased thinkers with a documented work in Wikidata. Search above by name or present-day birthplace country. Subject searches check descriptions and work titles, not full books. Coverage and historical geography are incomplete.
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How the rotation works
894 sourced thoughts and prompts, and growing. Original thoughts posted here join the same rotation.
One thought for the hour. Skip whenever you like. Your own thoughts belong here too—no profile, likes, or comments. Category: Other, unless you choose one.
Original thoughts share the pool with 894 sourced thoughts and prompts. While there are fewer than 20 posted thoughts, one in ten selections comes from here; at 20 it’s one in five, at 50 one in three, and at 100 one in two. Each pool shuffles without early repeats. Skips count as selections. A search can narrow the pool, so the mix then depends on what matches. Leave room for your own reading.
TWO VOICES. ROOM FOR BOTH.
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A LITTLE RHYME. A LITTLE ROOM TO THINK.
Riddle of the day.
Some have answers. Some open another door. Give it a day.
Seven days to catch up. A fresh riddle each day, with no reruns.
My name is Franklin. Hamilton’s around here somewhere.