The Modern PoetFor your words and others.
Release 15
Always tinkering.

I use this place too. I keep finding things to add, change, or make a little better.

Latest check: 1,242 passed. Regular checks, ongoing improvements.

This round: quieter reading, book-style chapters, and one HH throughout.

THE MODERN POET

Lob

By Edward Thomas

AT hawthorn-time in Wiltshire travelling In search of something chance would never bring, An old man's face, by life and weather cut And coloured,--rough, brown, sweet as any nut,-- A land face, sea-blue-eyed,--hung in my mind When I had left him many a mile behind. All he said was: "Nobody can't stop 'ee. It's A footpath, right enough. You see those bits Of mounds--that's where they opened up the barrows Sixty years since, while I was scaring sparrows. They thought as there was something to find there, But couldn't find it, by digging, anywhere." To turn back then and seek him, where was the use? There were three Manningfords,--Abbots, Bohun, and Bruce: And whether Alton, not Manningford, it was, My memory could not decide, because There was both Alton Barnes and Alton Priors. All had their churches, graveyards, farms, and byres, Lurking to one side up the paths and lanes, Seldom well seen except by aeroplanes; And when bells rang, or pigs squealed, or cocks crowed, Then only heard. Ages ago the road Approached. The people stood and looked and turned, Nor asked it to come nearer, nor yet learned To move out there and dwell in all men's dust. And yet withal they shot the weathercock, just Because 'twas he crowed out of tune, they said: So now the copper weathercock is dead. If they had reaped their dandelions and sold Them fairly, they could have afforded gold. Many years passed, and I went back again Among those villages, and looked for men Who might have known my ancient. He himself Had long been dead or laid upon the shelf, I thought. One man I asked about him roared At my description: "'Tis old Bottlesford He means, Bill." But another said: "Of course, It was Jack Button up at the White Horse. He's dead, sir, these three years." This lasted till A girl proposed Walker of Walker's Hill, "Old Adam Walker. Adam's Point you'll see Marked on the maps." "That was her roguery," The next man said. He was a squire's son Who loved wild bird and beast, and dog and gun For killing them. He had loved them from his birth, One with another, as he loved the earth. "The man may be like Button, or Walker, or Like Bottlesford, that you want, but far more He sounds like one I saw when I was a child. I could almost swear to him. The man was wild And wandered. His home was where he was free. Everybody has met one such man as he. Does he keep clear old paths that no one uses But once a life-time when he loves or muses? He is English as this gate, these flowers, this mire. And when at eight years old Lob-lie-by-the-fire Came in my books, this was the man I saw. He has been in England as long as dove and daw, Calling the wild cherry tree the merry tree, The rose campion Bridget-in-her-bravery; And in a tender mood he, as I guess, Christened one flower Love-in-idleness, And while he walked from Exeter to Leeds One April called all cuckoo-flowers Milkmaids. From him old herbal Gerard learnt, as a boy, To name wild clematis the Traveller's-joy. Our blackbirds sang no English till his ear Told him they called his Jan Toy 'Pretty dear.' (She was Jan Toy the Lucky, who, having lost A shilling, and found a penny loaf, rejoiced.) For reasons of his own to him the wren Is Jenny Pooter. Before all other men 'Twas he first called the Hog's Back the Hog's Back. That Mother Dunch's Buttocks should not lack Their name was his care. He too could explain Totteridge and Totterdown and Juggler's Lane: He knows, if anyone. Why Tumbling Bay, Inland in Kent, is called so, he might say. "But little he says compared with what he does. If ever a sage troubles him he will buzz Like a beehive to conclude the tedious fray: And the sage, who knows all languages, runs away. Yet Lob has thirteen hundred names for a fool, And though he never could spare time for school To unteach what the fox so well expressed, On biting the cock's head off,--Quietness is best,-- He can talk quite as well as anyone After his thinking is forgot and done. He first of all told someone else's wife, For a farthing she'd skin a flint and spoil a knife Worth sixpence skinning it. She heard him speak: 'She had a face as long as a wet week' Said he, telling the tale in after years. With blue smock and with gold rings in his ears, Sometimes he is a pedlar, not too poor To keep his wit. This is tall Tom that bore The logs in, and with Shakespeare in the hall Once talked, when icicles hung by the wall. As Herne the Hunter he has known hard times. On sleepless nights he made up weather rhymes Which others spoilt. And, Hob being then his name, He kept the hog that thought the butcher came To bring his breakfast 'You thought wrong,' said Hob. When there were kings in Kent this very Lob, Whose sheep grew fat and he himself grew merry, Wedded the king's daughter of Canterbury; For he alone, unlike squire, lord, and king, Watched a night by her without slumbering; He kept both waking. When he was but a lad He won a rich man's heiress, deaf, dumb, and sad, By rousing her to laugh at him. He carried His donkey on his back. So they were married. And while he was a little cobbler's boy He tricked the giant coming to destroy Shrewsbury by flood. 'And how far is it yet?' The giant asked in passing. 'I forget; But see these shoes I've worn out on the road And we're not there yet.' He emptied out his load Of shoes for mending. The giant let fall from his spade The earth for damming Severn, and thus made The Wrekin hill; and little Ercall hill Rose where the giant scraped his boots. While still So young, our Jack was chief of Gotham's sages. But long before he could have been wise, ages Earlier than this, while he grew thick and strong And ate his bacon, or, at times, sang a song And merely smelt it, as Jack the giant-killer He made a name. He too ground up the miller, The Yorkshireman who ground men's bones for flour. "Do you believe Jack dead before his hour? Or that his name is Walker, or Bottlesford, Or Button, a mere clown, or squire, or lord? The man you saw,--Lob-lie-by-the-fire, Jack Cade, Jack Smith, Jack Moon, poor Jack of every trade, Young Jack, or old Jack, or Jack What-d'ye-call, Jack-in-the-hedge, or Robin-run-by-the-wall, Robin Hood, Ragged Robin, lazy Bob, One of the lords of No Man's Land, good Lob,-- Although he was seen dying at Waterloo, Hastings, Agincourt, and Sedgemoor too,-- Lives yet. He never will admit he is dead Till millers cease to grind men's bones for bread, Not till our weathercock crows once again And I remove my house out of the lane On to the road." With this he disappeared In hazel and thorn tangled with old-man's-beard. But one glimpse of his back, as there he stood, Choosing his way, proved him of old Jack's blood Young Jack perhaps, and now a Wiltshireman As he has oft been since his days began.

Original source ↗

Poetry data from PoetryDB, curated by The Combed Thunderclap · metadata CC BY 4.0 · Public-domain poem text (USA)

Explore The Modern Poet ↗

POETRY. PHILOSOPHY. THE HUMAN EXPERIENCE.

Something to read.
Something to feel.

Your work, and voices from around the world.
Poetry, poetic philosophy, and the people behind it.

Riddle of the day ↗

A little rhyme. Something to turn over. Tomorrow, a possible answer.

Explore public sources. Read the work where it was shared.

A moment with the words.

A note on the rotation

Box one belongs to works shared here—pictures, poems, or both—with a new selection each hour. The other three change one at a time every fifteen minutes. One is a Halloween poem through October. Skip any card, or pause while you read.

THERE’S ROOM FOR YOUR VOICE.

Got something to say?
Leave it here.

A poem. A picture. Both. Sign your name, use a pen name,
or stay anonymous. You don’t owe anyone an explanation.

YOUR WORDS. YOUR WAY.

Leave something here.

Post a poem, a picture, or both. No profile needed.

Picture-only posts are welcome. No nudity or sexual images. Images stay in your private local queue pending review; automated screening is not connected in this preview.

A little bird, optional.

Artwork becomes the small icon; without artwork, your companion takes its place. You can also leave the small icon blank. Preview everything and change your mind before posting. No account needed.

You keep ownership of your work. Posting availability is checked before you submit. Passing work publishes; flagged work waits privately for the owner.